11th To describe nautical door knockers the spectacle, its formation, the mode of operation and for

At the present nautical door knockers time, which preferred the sign of what is meant, copy the original, the play of reality, the incidence of the essence ... truth is considered profane, and only illusion is sacred. More specifically, the sacred is increased to the extent that is true retreats, and enhances the illusion, so that the highest degree of illusion corresponds highest degree nautical door knockers of holiness. "
2nd Pictures separate from all walks of life have merged into a single stream of things, where previously the unity of life can no longer be achieved. Fragmentary is observed reality regrupiše a new, own unity as a separate fake world, the object of mere contemplation. Ideal picture of the world culminates in the world of independent pictures that deceive even themselves. The spectacle is concretized inversion of life, an independent non-life movement.
Third spectacle at the same time manifest itself as a society, as a part of society and as a means of unification. As part of society, it is the focal point of our vision and awareness. The mere fact that this is a separate sector tells us that we are in the domain of delusion and false consciousness: unity is achieved spectacle is nothing other than the official language of the general separation.
6th Viewed in its entirety, the spectacle is at the same time result and goal of a dominant mode of production. He is not only the decor of the actual world, but only the heart of the unreality of this society. In all the special aspects - news, propaganda, advertising, entertainment - the spectacle nautical door knockers represents the dominant life form. It is omnipresent affirmation of the choice already made, both in production and in the field of consumption related to the production. And the form and content of the spectacle serves as a complete vindication of conditions nautical door knockers and objectives of the existing nautical door knockers system. The spectacle is the constant presence of this justification, because it establishes a monopoly over most part of time that people spend out of the production process.
7th The very separation is an integral part of the unity of the world, global social practices divided into reality and image. Social practice, which is opposed nautical door knockers to the seemingly independent of the spectacle, at the same time is a whole consisting of the spectacle. But unutrašnjni cleft distorts the whole, to the extent that the spectacle seems like its only goal. Language spectacle consists of signs governing the organization nautical door knockers of production - characters who are at the same time and the end product of this organization.
8th ratio spectacle and concrete social activities can not be viewed abstractly: each side of this opposition itself is, divided. nautical door knockers The spectacle, which falsifies reality, the product itself, however, that reality. Conversely, real life is materially infused contemplation of the spectacle and eventually completely absorbed and starts to get straight through him. Objective reality is present in both these aspects. Both parties established in this way, transformed into its own opposite: reality occurs within the limits of the spectacle, and the spectacle becomes a reality. This mutual alienation constitutes the essence and foundation of the whole existing order.
10th term spectacle connects and explains a wide range of seemingly unrelated nautical door knockers phenomena. Apparent differences and contrasts between these phenomena arise from the social organization of appearances, below which should recognize its true nature. Viewed in its terms, the spectacle is affirmation of the phenomenal and the equalization of the entire social life of people with this incidence. But the criticism that the project reveals the very essence of the spectacle in her only visible negation of life - a negation that has become visible.
11th To describe nautical door knockers the spectacle, its formation, the mode of operation and forces opposing him, we have to make some artificial differences. nautical door knockers In the analysis nautical door knockers of the spectacle we are obliged to a certain extent we use the language of the spectacle, inasmuch as we move through the area of methodology that society expresses itself through the spectacle. The spectacle is at the same time, and the language and our socio-economic formation. This is a historical moment in which we are caught.
12th The spectacle presents itself as a vast and inaccessible reality that can never be questioned. His only message is: "What you see is good, what is good to see." Passive consent, which requires spectacle, actually already effectively imposed by its monopoly of incidence, the way in which it appears, that leaves no room for any response.
13th tautological character of the spectacle stems from the fact that his goal and his means identical. It is the sun that never sets over the empire of modern passivity. It covers the entire globe, the eternally bathing in its own light.
14th Modern industrial society is essential, not accidental or artificial spectacular. nautical door knockers For spectacle - a visible reflection of a dominant economic order - goals are nothing, development is everything. The spectacle does not aspire to anything else to himself.
15th As an essential facility for packing everything that is produced, as a general articulation of the principles underlying the system and a developed economic sector, which directly